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This 2 cd release with never-before-heard music and excellent production quality, has virtually ALL of the music from the film (Directors Cut and 1982 theatrical release).
Full images:
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This "Esper Productions" double CD private release is‚ to date‚ the most comprehensive and accurate Blade Runner version to see the light of day. Originally a limited edition of just 10 sets.
Highlights of these discs include:
- Most noteworthy‚ this release debuts "Thinking of Rachael" - the shorter and different take of the Love Theme‚ (heard only in the 1982 theatrical release where Deckard dozes off on his piano). A first on any release.
- For the first time‚ the incidental music heard when Deckard wakes Rachael‚ just before their escape at the end of the film is present on the track titled "Rachael Sleeps."
- At long last‚ (as in the film itself) the eerie electronic rumblings leading into the "Love Theme" is expanded and presented in its complete form‚ titled "I am the Business." (The recent Deck Music and Deck Art releases decide to "chop up" this sequence into several parts for no apparent reason).
- Incidental music from the Esper photo examination film sequence is present on the track titled "Esper Analysis."
- The "Prologue and Main Titles" track contains the original "LA‚ November 2019" sound effect cue leading into the Main Titles‚ as heard in the film itself. (The Deck Music and Deck Art releases layered a spinner effect over it)
- The track titled "Deckard Enters the Bradbury" also has expanded music‚ not heard on any BR release.
- For the first time‚ the complete "Tears in Rain" dialog is presented here (i.e. "time to die" omitted from other versions)
- Lastly‚ this release contains interesting new mixes and transitions‚ (i.e. the fusion featured on the track titled "Sushi Bar- Damask Rose")
111.7 MB - 2 parts - Total With regards to slam From: www.2baksa.net
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VANGELIS BLADERUNNER NEMO STUDIOS - SELECTED EQUIPMENT 1977-83.
Keyboards/Synths -ARP 2600 modular
-Korg PSS3300
-Moog Minimoog
-Moog Satellite
-Oberheim 4-voice
-Oberheim 8-voice
-Roland Jupiter 4
-Roland VP330 Vocoder Plus
-Sequential Prophet 5-Sequential Prophet 10
-Yamaha CP80 electric grand
-Yamaha CS80-Yamaha CS40M
-Yamaha GS1 Synth
Recording (from 1978) -Quad/Eight Pacifica mixer
-Lyrec TR55 24-track tape machine
-Ampex ATR100 2-track tape machine
-dbx noise reduction-Lexicon 244 reverb (from 1980)
-AKG BX25 spring reverb-MasterRoom spring reverb (with 7-second decay)
-Tannoy Dreadnought monitors
Drum Machines/Electronic Drums
-Linn drum machine-Simmons SDS5 electronic drum kit
Sequencers -ARP sequencer-Roland CSQ100 sequencer-Roland System 700 sequencer
Sampler -Emu Emulator
CS-80V User Testimonials; Hans ZIMMER
"I just sold my Yamaha GX1 because I have a great replacement with Arturia's CS-80V. My actual CS-80 blew up some time ago, but I've been borrowing Steve Pocaro's perfectly maintained model for the last few years as, quite frankly, I couldn't live without one. The CS-80 is one of the few synthesizers that can integrate perfectly into an orchestral and acoustic landscape, and I've used it on anything from "Rainman", to period movies like "Gladiator" and "The Thin Red Line". On "Black Hawk Down", for example, the CS-80 became the only instrument that could successfully compete with the barrage of gunshots and explosions, since it's sound is never static and always animated, constantly shifting. With all the Moogs, PPGs, Rolands, and other exotic synths at my studio, Yamaha's CS-80 has a completely original sound. Of course, the only problem with the CS-80V is finding someone who makes a good MIDI controller that supports polyphonic aftertouch!"
Thanks for rundown on Vangelis' studio gear - the Esper CD I already have. Good post though and I recommend the music to anyone no matter what kind of music you think you like!